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Arnold Dreyblatt (born 1953) is an American composer, performance artist and visual artist.
He started his studies at Wesleyan University in the 1970s and transferred to the Center for Media Study at the University at Buffalo. In 1982, Dreyblatt obtained a master's degree in composition from Wesleyan University; his thesis was titled, "Nodal Excitation". M.A. Theses in Ethnomusicology and Composition, Wesleyan University. Retrieved 30 January 2013. He studied music with Pauline Oliveros, La Monte Young and Alvin Lucier (at Wesleyan University), and new media art with Steina and Woody Vasulka.
In his installations, performances and media works, Dreyblatt creates complex textual and spatial metaphors for memory which serves as a media discourse on recollection and the archive. His installations, public artworks and performances have been exhibited and staged extensively in Europe. Dreyblatt's 2006 sculpture "Innocent Questions", which resembles the layout of an IBM punched card, is installed at the Center for Studies of Holocaust and Religious Minorities in Oslo, Norway.
Among the second generation of New York Minimalist music composers, Dreyblatt developed a unique approach to composition and music performance. He invented a set of new and original instruments, performance techniques and a system of Musical tuning. His compositions are based on and just intonation. They are performed a bowing technique he developed for his modified double bass, and other modified and conventional instruments which he specially tuned. He originally used a steady pulse provided by the bowing motion on his double bass (placing his music in the minimal category), but he eventually added many more instruments and more variety.
Dreyblatt received a 1998 Foundation for Contemporary Arts Grants to Artists Award. He has worked with Paul Panhuysen, Pierre Berthet and Ex-Easter Island Head.
He has been based in Berlin, Germany, since 1984. In 2007, he was elected to the Academy of Arts, Berlin.
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